Cutting Edge-Mature-Sick Humor in the jugular vein of Adult Swim Belushi Broken Lizard Carry On Cracked Dayton Edwin Family Guy Howard Stern It's Always Sunny John Waters Kids in the Hall Mad Mel Brooks Monty Python's Flying Circus Mr Show Mystery Science Theater 3000 National Lampoon The Onion SNL SCTV Second City Shaker The Simpsons South Park Stella Tim & Eric Trailer Park Boys Upright Citizens Brigade Whitest Kids U Know Woody Allen *OUCH! by MR. E ALL RIGHTS RESERVED BY AUTHOR*
Overcoming a nurse, and dressing in her clothes, a madman escapes from
Hope Sanitarium. The world he is about to enter is crazier than
anything he could have endured at the asylum. Quintessential Wood
with a modern twist - no dialogue- only atmospheric sounds, alternating
bursts of laughter and screams, and a wonderful soundtrack. With
knowing homage to Hitchcock and Fellini, director Iliopulos has
brought off a stunning debut feature; elevates this from 50's camp to 90's style.
Upon leaving the sanitarium, the madman goes on a crime spree that nets
him a gun, a car, a fortune in stolen cash, and one dead loan office
manager. As the thief escapes the murder scene, he comes upon a
forbidden cemetery as a burial, replete with bagpipe music and a bizarre
ceremony employing tuning forks and strange icons, is taking place. As
the undertaker, the caretaker, and an odd assortment of mourners leave
the service, the thief peers into the coffin, thinking it is a good
place to hide his briefcase of ill-gotten gains. As he strikes the
tuning fork that is buried with the robe-draped skeleton, bagpipe music
fills the air and throws him into convulsions. The coffin lid slams
shut, locking his money inside, as the thief is thrown into an open
grave, knocking himself unconscious. And so begins an adventure so
bizarre you have to see it to believe it!
Written by Edward D. Wood. Starring in order of
appearance: Billy Zane, Tippi Hendren, Ron Perlman, Christina Ricci,
Andrew McCarthy, Ann Magnuson, Bud Cort, Taylor Negron, Max perlich,
Will Patton, Rain Phoenix, Summer Phoenix, Jonathan Taylor Thomas, Tara
Reid, John Ritter, Kathleen Robertson, Ricky Schroder, Nicollette
Sheridan, Steven Webber, Abraham Benrubi, Sandra Bernhard, Karen Black,
Leif Garret,t, Dana Gould, Eartha Kitt, and Conrad Brooks, Vampira
(Malia Nurmi), and Ed's widow Kathy Wood! Directed by Aris Iliopulos.
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COPYRIGHT 2007-2014 OH BOY! 3LAWNVIEWAGOGO / ALL RIGHTS RESERVED MR.E.
Production began in 1971, but personnel, logistical and financial
problems resulted in it being shut down. After several stops and starts
over the years, it was finally completed and released in 1979, as "Monster." In 1980, as "Monstroid: It Came From the Lake."
"The story you are about to see is based on fact," Monstroid dutifully informs viewers before the action begins. "The incident occurred in June 1971 in Colombia." And what is Colombia like? Based on Monstroid's opening scene, it's a paradise wherein fully clothed dancing women entertain their sleepy husbands with semi-seductive dances. It's a great place to live… assuming you don't get eaten by shadowy lake creatures. A pollution-happy cement factory managed by Jim Mitchum,
JIM MITCHUM
a mustachioed capitalist who favors open shirts and has no time for pushy broadcast journalists apparently permanently assigned to cover mysterious happenings in small Colombian towns. But there's another story brewing, one kicked into high gear by the moonlit murder of a bikini-clad night-swimmer by what looks like a down-market cousin of Godzilla wearing a Fu Manchu mustache. And there, the film's excitement ends for a long, long stretch as the movie shifts its focus to more newscasts, the sonorous warnings of a local priest played by John Carradine,
JOHN CARRADINE
the development of photos, and in one thrilling sequence, Mitchum's call back to home base to request sonar equipment. And then his co-worker's fulfillment of that request, in a one-two punch. Viewers fond of watching phone conversations captured in their entirety will be on the edges of their seats. But after the miracle of sonar fails to prevent some drunken boatmen from falling prey to the monstroid, Mitchum decides to confront the threat head-on, force-feeding the beast a dinner of dynamite via a hands-on approach that the not-so-famous sons of lesser movie stars would never dare.
PHILIP CAREY
At last! Colombia is saved, and destined for no trouble whatsoever in the decade to come. Even the formerly confrontational newswoman has to give props, telling viewers via yet another live broadcast, "What you have just witnessed is not a movie of the week. It is not fiction… It is stranger than fiction, which the truth always is. It is something we will not be able to forget." She's wrong on all counts.
ANTHONY EISLEY
Directors: Kenneth Hartford (as Kenneth Herts) and
Herbert L. Strock (uncredited); Co-Written by Hartford, Strock, Walter
Roeber Schmidt, and Garland Scott.
COPYRIGHT 2007-2014 OH BOY! 3LAWNVIEWAGOGO / ALL RIGHTS RESERVED MR.E.
Although it's very unlikely that his admittedly cheap-'n'-cheesy films will ever be acknowledged as true works of cinematic art, director/producer/screenwriter Al Adamson did nonetheless make a slew of entertainingly if trashy low-budget exploitation features for the drive-in market throughout the 1960s and 1970s.
He was born on July 25, 1929, in Hollywood, California, the son of actress Dolores Booth and actor/director Victor Adamson, who appropriately enough specialized in shoddy "B"-grade--and lower--westerns in the 1920s and 1930s, both as an actor and especially as a director. Al's first foray into filmmaking was helping his father as director and producer on the movie Halfway to Hell (1954). In the mid-'60s Al founded the prolific grindhouse outfit Independent-International Pictures with producer/distributor Sam Sherman. Adamson cranked out flicks in every conceivable genre: scuzzy biker items (Satan's Sadists (1969), Hell's Bloody Devils (1970), Angels' Wild Women (1972)), grungy westerns (Five Bloody Graves (1970), Jessi's Girls (1975)), smarmy softcore sex comedies (The Naughty Stewardesses (1975), Blazing Stewardesses (1975)), funky blaxploitation (Mean Mother (1974), Black Heat (1976)), ridiculous science-fiction dross (the gloriously ghastly Horror of the Blood Monsters (1970)), two Jim Kelly martial arts action outings (Black Samurai (1977), Death Dimension (1978)), lurid horror fare (Dracula vs. Frankenstein (1971), Brain of Blood (1971), Nurse Sherri (1978)) and even a tongue-in-cheek softcore science-fiction musical (Cinderella 2000 (1977)). Moreover, Adamson served as a producer for both the exciting Fred Williamson blaxploitation vehicle Hammer (1972) and the acclaimed made-for-TV drama Cry Rape (1973). The casts of Adamson's movies were made up of oddball but enthusiastic amateurs and faded professional thespians whose career was on the wane, including Kent Taylor, Russ Tamblyn, Lon Chaney Jr. and the ubiquitous John Carradine. Al frequently gave his wife Regina Carrol sizable parts in his films. Moreover, Adamson was a mentor for future schlock-feature directors Greydon Clark and John Cardos. He was also instrumental in launching the career of ace cinematographer Gary Graver. In addition, Adamson kept fellow top cinematographers László Kovács and Vilmos Zsigmond employed in their early days. Al Adamson's life came to a brutal and untimely end at age 66 when he was murdered by live-in contractor Fred Fulford on August 2, 1995.
DEATH DIMENSION (also known as FREEZE BOMB; KILL FACTOR; and BLACK ELIMINATOR) stars the late JIM KELLY, the first Black martial arts film star. He co-starred
alongside Bruce Lee in the blockbuster, Enter the Dragon (1973); which led to a three-picture deal with Warner Brothers where he made Black Belt Jones (1974); Three the
Hard Way (1974) co-starring blaxploitation superstars Jim Brown (Slaughter) and Fred Williamson (Black Caesar); and Hot Potato
(1976). After which he starred in the
low-budget films Black Samurai (1977); Death Dimension (1978); and
Tattoo Connection (1978). His last major appearance was in One Down, Two to Go (1982), co-starring again Brown and Williamson, along with Richard Roundtree (Shaft).
ALDO RAY, a major star in 1950s Hollywood, who worked with such legends as Spencer Tracy, Katherine Hepburn, Humphrey Bogart, Rita Hayworth, Jose Ferrer, Van Heflin, and Robert Ryan, career slowly faded as the 1960s ended. Though he worked steadily in the 1970s, the quality of his roles
diminished, and he was typically cast as gruff and gravelly rednecks. In
1976, Ray appeared in The Haunted, and also a pornographic movie, Sweet
Savage, in a non-sexual role. His career decline accelerated in the
1980s, and after being diagnosed with throat cancer, he accepted
virtually any role that came his way to maintain his costly health
insurance. His SAG membership was revoked when it was discovered he was
acting in non-union productions.
TERRY MOORE started out in radio and starred in several box office hits,
including Mighty Joe Young (1949), Come Back, Little Sheba (1952; for
which she was nominated for an Academy Award for Best Supporting
Actress), Daddy Long Legs (1955), Between Heaven and Hell (1956), and
Peyton Place (1957). After the 1960s, Moore semi retired from acting,
only completing two films in the 1970s; though by the 1980s her career
had resumed (after gaining publicity by appearing nude at age 55 in Playboy magazine and claiming to've been secretly married to Howard Hughes) with
minor roles in low-budgeted B-movies.
GEORGE LAZENBY was the successor to Sean Connery playing James Bond in the film On Her Majesty's Secret Service. World famous, success went to his head, and he lost any chance to follow up as 007. In 1973, Lazenby was set
to work in Hong Kong with Bruce Lee. A planned meeting with Lee and
Raymond Chow to discuss a movie project for the Golden Harvest film Game
of Death collapsed after Lee's sudden death, although Lazenby would
still go on to make three of the four films he signed to do with Lee in
Hong Kong, The Shrine of Ultimate Bliss (1974), The Man from Hong Kong
(1975; aka The Dragon Flies), and A Queen's Ransom (1976). In 1978, he took out an
advertisement in Variety, offering himself for acting work. "If I could
get a TV series or a good movie, I swear I'd do it for nothing," he told
a journalist.
Death Dimension's other Bond connection (Goldfinger) comes with HAROLD "ODD JOB" SAKATA whose limited ability to speak English forced his part to be dubbed by Chinese actor James Hong.
Directed by Al Adamson, and Produced by Harry Hope; the Cast includes: Jim Kelly as Lt. Detective Ash; George Lazenby as Capt. Gallagher; Aldo Ray as Verde; Terry Moore as Madam Maria; Harold "Odd Job" Sakata as The Pig; Patch Mackenzie as Felicia; and Myron Bruce Lee as Li
(REMOVED BY YOUTUBE)
(SO ENJOY A BUNCH OF ADAMSON TRAILERS)
BLOOD OF DRACULA'S CASTLE (1969)
SATAN'S SADISTS (1969)
FIVE BLOODY GRAVES (1970)
HELL'S BLOODY DEVILS (aka THE FAKERS; 1970)
HORROR OF THE BLOOD MONSTERS (1970)
BRAIN OF BLOOD (1971)
THE FEMALE BUNCH (1971)
DRACULA VS FRANKENSTEIN (1971)
ANGELS' WILD WOMEN (1972)
MEAN MOTHER (1974)
GIRLS FOR RENT (1974)
THE NAUGHTY STEWARDESSES (1975)
BLAZING STEWARDESSES (1975)
BLACK HEAT (1976)
CINDERELLA 2000 (1977)
SUNSET COVE (1978)
DEATH DIMENSION (1978)
NURSE SHERRI (1978)
CARNIVAL MAGIC (1981)
COPYRIGHT 2007-2014 OH BOY! 3LAWNVIEWAGOGO / ALL RIGHTS RESERVED MR.E.
I recently returned to school; as of yet I don't have a major, but I have had a lot of minors...
I was accused of "statutory rape," but my lawyer got the charge reduced to "unlawful entry"...
He argued, how can you call it "rape" if she was already dead?...
When found in a skid row motel with a missing girl's corpse in the bed, it's best to tell the authorities that the room was like that when you checked in...
As an international superstar I try to set an example by giving back to the world and consider my trolling tween chatrooms for confused and lonely girls with daddy-issues a vocation...
I formed a charity to help promiscuous teenage girls- get their start...
I'm single, but "carried a torch" for my ex just long enough to set fire to her new boyfriend's car...
I don't regret one day of our relationship- it was a Thursday...
I want a real skinny girl; not because I think it's sexy, but it's likely she'll have poor self-esteem or a drug problem (those chicks'll do anything!)...
However, I am a sucker for big tits...
My dream is to settle down with a woman with whom I can have a child she wont try to drown...
